MONTEFANO – Regardless of the inspiration and start line of Dino Donatiello’s theatrical performances and the “TurboLento Teatro”, you recognize that you’ll discover your self in entrance of a backdrop of fantasy and intelligent role-playing.
This time his inspiration was the very well-known “A Christmas Carol” written by Charles Dickens in 1843.
The topic is so well-known, it’s reenacted in theater, cinema, cartoons and even musicals, right here to recount the evening dream that saved an outdated miser and moneylender in a poor and disenfranchised philanthropist because of the blind greed of the wealthy. . For the hero, whose title is sort of unpronounceable Ebenezer Scrooge, the longer term has no which means or worth till he learns to smile at others.
In Dickens’s time, in the course of the second industrial revolution of the mid-1800s, poverty had humiliating numbers and situations for humanity, particularly if lived within the indifference of the rich lessons.
The present staged on the La Rondinella theater relies on this social scenario.
The manufacturing Donatiello offered to us is definitely known as “Christmas’s Counter-Melody,” though he admits his literary inspiration, however takes many dramaturgical steps that distract him from the easy staging of Dickens’ lengthy story.
From this story, which featured a complete illustration of the frequent Christmas goodness within the Western Christian world, the kids of “TurboLento Teatro” made it their very own, partly by introducing components of youth popular culture.
It may be stated that the type of the play, which will likely be staged on the La Rondinella theater on Tuesday, January 3, is a theater that finds its reminiscence in an occasion from the center of the nineteenth century and identifies the thought of making it a up to date story with its fiction. Actors from the younger firm “TurboLento Teatro”, to which the choirs of Oddo Marconi and DoReMi from Montefano have been added.
To the latter, the duty of singing Christmas tunes to create the hole between the concord of life and the intimacy of emotions for many who select love – drawing partly from the unique repertoire of England of that interval – and who, quite the opposite, denies it – have a look at the protagonist – and nearly as dissonant because the re-adapting of the ghost character to the wants of the present’s narration. with musical tones.
On stage and within the scenic space, “Christmas Music” takes on surprising and thought-provoking kinds for the viewers.
The scene is handed by a ghost seen by the stingy misanthrope, who’s the protagonist of the story, in his nightly delirium, contrasting with the calm however modest and unstable existence of the poor in concord with life. When the saved particular person turns into a benefactor, the melodies will likely be decisive, abandoning the nightmares of a egocentric life, making room for intimacy with others and the love of Christmas carols.
Now an indicator of the TurboLento Teatro, Dino freed its younger actors to maneuver from literary inspiration to a scene that intersects with the visions of the adolescent imaginations of the onstage actors who co-wrote the present.
To raised observe Dickens’ lovely Christmas story, the viewers should orientate themselves to the not at all times apparent connotations of the characters who will reenact the Christmas Carol with their Counter Melodies.
Whereas the general work is gorgeous, with the musical background and timeless choirs of the stage directed and accompanied by Maestro Lorenzo Chiacchiera, the extraordinary characters formed by the creativeness of males, suspended between a interval decor and a raid, are transferring. of recent metallic heads.
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